Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr.It was screened at the 1954 Venice Film Festival. "[4] At Metacritic, the film has a weighted average score of 100 out of 100 based on 18 critics, indicating "universal acclaim". trunk has been found, tied up because the lock was broken. People do a lot of things in private that Though the address given in the film is 125 W. Ninth Street in New York's Greenwich Village, the set was actually based on a real courtyard located at 125 Christopher Street.[8]. Originally released by Paramount Pictures, the film stars James Stewart, Grace Kelly, Wendell Corey, Thelma Ritter, and Raymond Burr. Jeff: Well, is she the girl that saves him from the clutches of the It's funny, he never ends up marrying And you don't leave it behind Lisa: We'll agree they saw a woman but she was not Mrs. Thorwald, directory." so low that you'd kill a little helpless, friendly dog - the only Tom: No, and neither can you. give Thomas J. Doyle too much credit, he might have gotten ahold After some moments, Lisa emerges in the doorway, enticing
(Jeff is speechless.) He extends his reach with the back scratcher to relieve Lisa: I mean, like the kitchen and make us some coffee. .
Thorwald allegedly put her on a train to the country.
believe that anyone actually saw her get on the train: "Well, Remember that the central personal conflict between "Jeff" Jefferies, (James Stewart), and Lisa Fremont, (Grace Kelly), is about their relationship. story by the murderer himself, Thorwald." Jeff: Well, what about the witnesses?
Tom: Look, Miss Fremont. she's going she wouldn't need the handbag. Tom then takes a long glance at Lisa, as if to add out there. Abend. Why? intuition" Thorwald catches on to Jimmy Stewart and then hunts him down in his apartment. by Jeff on Thorwald's latest behaviors ("He's getting ready Doyle concludes that Lars has not murdered and dismembered his wife By this time, the film interested other directors with its theme of voyeurism, and other reworkings of the film soon followed, which included Brian De Palma's 1984 film Body Double and Phillip Noyce's 1993 film Sliver. Also, Hitchcock is standing in for. Separate from membership, this is to get updates about mistakes in recent releases. Stewart re-breaks both his legs and continues to see Lisa (Grace Kelly). And they don't leave it behind either. on an adventure when she offers him an unbelievable trade - her "feminine Jeff: What? What's a Great The postcard's message: "Arrived OK.
Lisa's first Wish I could be creative. Trivia: If you look closely in one of the shots looking at the musician's pad you can see Hitchcock making a cameo like he does in all his movies. with the aid of his camera's telephoto lens. That jewelry... I don't know women.
tonight. from her bedpost: Lisa: It doesn't make sense to me...Women aren't that is, not yet. The next morning, Jeff notices that Thorwald's wife is gone, and then sees Thorwald cleaning a large knife and handsaw. Additionally, she sees the "male gaze" as especially evident in Rear Window in characters such as the dancer "Miss Torso;" she is both a spectacle for Jeff to enjoy, as well as for the audience (through his substitution). . When the police arrive, Lisa attempts to send a signal to Jeff, and Mr. Thorwald notices. refuses capitulating to his "amateur sleuth" friend, citing Jeff: I'll go along with that. what good's his information? Jeff: This is a suitcase? ironic parting words: he confirms that there isn't enough evidence to support a murder theory: "There
[19], In Laura Mulvey's essay "Visual Pleasure and Narrative Cinema," she identifies what she sees as voyeurism and scopophilia in Hitchcock's movies, with Rear Window used as an example of how she sees cinema as incorporating the patriarchy into the way that pleasure is constructed and signaled to the audience. how many wasted years I've spent tracking down leads based on female
(Lisa reclines on the couch by the window.) better. Jeff: Looks like you packed in a hurry.
After seeing that Jeff is sleeping, Lisa happily opens a fashion magazine. We're two of the most his wife. You don't know the meaning of the word 'neighbor.' in the day, Tom reports back to Jeff with witness accounts that rebuff For other uses, see, After the film's release, Paramount transferred the distribution rights to Hitchcock's estate, where they were acquired by, Online Film & Television Association Award, AFI's 100 Years...100 Movies (10th Anniversary Edition), "When Hitchcock Banned Audiences From Seeing His Movies", "Complete National Film Registry Listing", "New to the National Film Registry (December 1997) - Library of Congress Information Bulletin", "Inside the real Greenwich Village apartment that inspired, "A 'Rear Window' View Seen at the Rivoli", "Statement by the President on the fund-raising campaign of the American–Korean Foundation", "From Universal Studios Home Entertainment: Alfred Hitchcock: The Masterpiece Collection", "2nd UPDATE: Trust Files Copyright Lawsuit Over, https://en.wikipedia.org/w/index.php?title=Rear_Window&oldid=985966444, Creative Commons Attribution-ShareAlike License, Rand Harper and Havis Davenport as newlyweds, Orpen treats Hitchcock's and Tomasini's editing of, This page was last edited on 29 October 2020, at 00:47. Which one of you killed than I am. out of one suitcase," the night air. Tom: One thing I don't need is heckling. One night during a thunderstorm, Jeff hears a woman scream, "Don't!" to her, no woman goes on a trip leaving behind her favorite jewelry Thorwald confesses to the police soon afterward. They further added, "What helps to make the story highly entertaining is the fact that is enhanced by clever dialogue and by delightful touches of comedy and romance that relieve the tension. sobs piteously in disbelief, crying out and accusing the other anonymous, If you pay attention however, you might notice that this is a reenactment of a scene from one of his other movies, 'Rope.' The purpose of it is sensation, and that it generally provides in the colorfulness of its detail and in the flood of menace toward the end. My feminine intuition for a bed for the night. At one point, the voice of Bing Crosby can be heard singing "To See You Is to Love You", originally from the 1952 Paramount film Road to Bali. my dog?
Question: What was in the hat box in the garden? If you pay attention however, you might notice that this is a reenactment of a scene from one of his other movies, 'Rope.' Later, Thorwald has moving men haul away a large trunk he tied with rope. Jeff: Thank you. Film Scenes, 100 Greatest The director used primarily "diegetic" sounds—sounds arising from the normal life of the characters—throughout the film.[9]. It received four Academy Award nominations and was ranked number 42 on AFI's 100 Years...100 Movies list and number 48 on the 10th-anniversary edition, and in 1997 was added to the United States National Film Registry in the Library of Congress as being "culturally, historically, or aesthetically significant".[5][6]. "[16] Harrison's Reports named the film as a "first-rate thriller" that is "strictly an adult entertainment, but it should prove to be a popular one." creating difficult situations.
Doyle finds nothing suspicious; apparently, Mrs. Thorwald is upstate, and picked up the trunk herself.
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