I think he is the best guitarist ever. I have both a V30 Quad and 2 x12 V30. What amp are you using?

Discussion in 'The Tone Zone' started by davidcf, May 10, 2013. you don't need new pickups. Not that difficult really... 99% certain the issue isn't in your pickups.

One of the mods from Tim Caswell was to add a master volume. Thank you Marshall for refusing to help, but then helping me anyway! Something else to keep in mind is that really, HOW you play makes a big difference in your tone (also, how the guitar is set up). Page 2 of 2 < Prev 1 2. For bedroom playing or rehearsals you may want to increase the presence a tiny bit, not much. And it's since been lost, and nobody knows where it is. ).

Interestingly, with this tube combination, the DSL40C settings - when set totally by ear - almost mimicked the VS265 settings identically. Cheap pickups probably aren't the issue. They recommend just a regular old Epiphone Les Paul '60s Tribute that has the American Gibson pickups into a Marshal DSL40 combo, along with a Duncan pickup booster pedal. A look at the gear and dials used to produce the optimal Slash amp settings and tone. Joined: Apr 7, 2012 ... Now these settings are perfect for recording with a shure sm57. dont bother doing it on the amp and be mindful of the tone pots they help a lot in getting slash's tone for sweet child. (You must log in or sign up to reply here. I'm just stopping in to say, I ALSO think slash is the greatest of all time.

His signature pickups, also built by Seymour Duncan, are actually the same Alnico II Pros except with different cosmetics (and exposed coils). Fans across the globe were excited to see Slash reunite with Guns N’ Roses in 2016. Also only use your volume to control the gain. Not even Slash.It's best to your own tone and have fun.The more you play and better you become, you will find the tone is mostly within your fingers.

It's true that a big part of his tone is his Marshalls but his are heavily modded. The amp was made sometime between mid-’69 and mid-’73, well before the JCM800 came out in 1981—it's from the post-Plexi, "metal panel" era, before Marshall added master volumes. Some are only decent, while others can sound like that.

Or just get the slash pups used. Also, on a recording, keep in mind that it's been through a lot of processing - EQ'ing, compression, other types of mastering adjustments. Shell out the extra cash if you have an epi standard its worth it. That was good but missed the mark in some areas. I love having a variety of pups to change up my tone when ever I feel like it.

My personal favorite pedal is called the Fullbore Metal. Now that I know where the issue is, I need to make sure it doesn't come back with other settings of that pot. But for his riff work as above. The lead 2 channel has a midrange boost and is awesome for Slash style solo work. I put a Greenback in the combo internal and that sounds amazeballs.

It's mainly for metal core, but I turned the volume way down and the gain way down, and it sounds pretty decent.

From here things differ depending on your speaker set up. Either can sound like this song with a wah and some overdrive from an amp or pedal.

This is a forum where guitarists, from novice to experienced, can explore the world of guitar through a variety of media and discussion. DSL40. In all honesty the guys they had in between were way better for the most part, but people really like the look... despite the fact that he's not that good. Anderton's did a great video about how to sound like Slash on a budget. Actually the guy who is responsible for modding it sells an amp. And I applaud your choice. The VS265 is never adjusted appreciably from its rehearsal/performance settings shown. I’m the guy that posted info and pics on the cap mod to help relieve the fizzy brightness of the 40c. Press question mark to learn the rest of the keyboard shortcuts, Jazz/Fusion | too many guitars/too many amps, Xaviere | Fender | Mesa | Chapman | PRS | Gibson. One set of my slash pups is still new in box. However I recently bought an epiphone and i cant quite replicate that sweet sweet slash tone on it because of the cheap pickups.

I'm pretty sure that, during the recording of AFD, he had sold his gear and recorded it all on an LP knockoff, however he did rent a Marshall stack that he tried to keep by claiming it was stolen. On a 2x12 about half inch from the grill and the internal speaker right up on the grill. What amp are you using? http://www.sweetwater.com/store/detail/APH2sBK?adpos=1t1&creative=105744828601&device=c&matchtype=b&network=g&gclid=CjwKEAjwlfO3BRDR4Pj_u-iO2U0SJAD88y1Sj7NoWqldADobauB5-yeDp0R9r9vHfRmLvmjTu_NqoRoCsqXw_wcB, http://caswellamps.studioelectronics.com/products.html, https://www.youtube.com/watch?v=Z9aB9qreSqQ. And DON'T YOU DARE PLAY THIS SONG IN A GUITAR SHOP.

Just a Les Paul into a cranked Marshall. Get a tube marshall. A look at the gear and dials used to produce the optimal Slash amp settings and tone. By using our Services or clicking I agree, you agree to our use of cookies.

http://www.slashsworld.com/equipment/amps/the-appetite-amp-story/sweet-marshall-o%E2%80%99-mine-part-2-the-breakthrough-case-closed/, The pickups were likely PAF clones, but I don't think he actually used a real LP. You can’t think about the electric guitar without thinking about Slash. Slash's signature pick ups theyre actually amazing. Eric Valentine was boosting midrange and 10k on the Slash records, outside of the presence frequency of the amp. With rich functionality including the ability to move between two sounds within each gain channel, players can experiment and release their personality through sound. The DSL40 TM has been designed with a 12” G-12 v-type speaker for those who need exceptional tone and flexibility. To my knowledge Slash does not use a parked wah on the intro to Sweet Child O' Mine. I wanted to check the bias on my DSL40C and I found it was set at 30mA the one side was running a little bit hotter at about 32mA.

Zoom in to see the dial positions (in red characters) and notes: And a shot of the DSL40C post tube swap: You were the only One from all that post anything in here that actually Said something. Just gone leave his here http://imgur.com/WXmdeSS, check out this video interview with his guitar tech https://www.youtube.com/watch?v=Z9aB9qreSqQ, slashes sound is a pretty stock les paul into a marshall tube amp. Many have tried. The treble is much more important for clarity. Marshall DSL40C Slash Tone? Also Slash has signature pickups from SD and they're relatively cheap. A guide of presets and amp settings that are best for Marshall or Fender amplifiers, with EQ for rock, blues, grunge and a variety of other tones & styles. On your amp, try dialing back the gain and increasing the volume.

Treble at about 10 o'clock (4), the mids at 2 o'clock (7), and the bass at 10 o'clock (4). The secret to Slash's tone on Appetite for Destruction was a Marshall JCM800 that he rented. Slash is really good and has made really good stuff recently. Your technique is a big part of what you sound like. Everyone else wasn't that good. Thank you very much!!! Armed with a Marshall and his trusty top hat, Slash has been rocking the stage since the 80’s. Your fastest way to get this tone is to get a wah pedal, turn it on and find the sweet spot and leave it there for the intro. That said, you'll have a very tough time getting that exact tone. The Marshall DSL 20 is a very solid amplifier as well. This site uses cookies to improve your experience. During Slash’s two-decade break from the band, he enjoyed success with Myles Kennedy and The Conspirators, and Velvet Revolver. Slash used a mythological amp called #39. You need to understand what you are hearing is a typical old recording probably done to tape.It's also been processed by a sound designer with lots of old analog equipment.No one can reproduce that sound live in your bedroom. After a while I grew tired of fighting it and moved it along and got a Mesa Lonestar Special. If using a 2x12 set the Presence to 8 o'clock (2), if using the stock internal speaker have the presence at (1) 7 o'clock.

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I think he is the best guitarist ever. I have both a V30 Quad and 2 x12 V30. What amp are you using?

Discussion in 'The Tone Zone' started by davidcf, May 10, 2013. you don't need new pickups. Not that difficult really... 99% certain the issue isn't in your pickups.

One of the mods from Tim Caswell was to add a master volume. Thank you Marshall for refusing to help, but then helping me anyway! Something else to keep in mind is that really, HOW you play makes a big difference in your tone (also, how the guitar is set up). Page 2 of 2 < Prev 1 2. For bedroom playing or rehearsals you may want to increase the presence a tiny bit, not much. And it's since been lost, and nobody knows where it is. ).

Interestingly, with this tube combination, the DSL40C settings - when set totally by ear - almost mimicked the VS265 settings identically. Cheap pickups probably aren't the issue. They recommend just a regular old Epiphone Les Paul '60s Tribute that has the American Gibson pickups into a Marshal DSL40 combo, along with a Duncan pickup booster pedal. A look at the gear and dials used to produce the optimal Slash amp settings and tone. Joined: Apr 7, 2012 ... Now these settings are perfect for recording with a shure sm57. dont bother doing it on the amp and be mindful of the tone pots they help a lot in getting slash's tone for sweet child. (You must log in or sign up to reply here. I'm just stopping in to say, I ALSO think slash is the greatest of all time.

His signature pickups, also built by Seymour Duncan, are actually the same Alnico II Pros except with different cosmetics (and exposed coils). Fans across the globe were excited to see Slash reunite with Guns N’ Roses in 2016. Also only use your volume to control the gain. Not even Slash.It's best to your own tone and have fun.The more you play and better you become, you will find the tone is mostly within your fingers.

It's true that a big part of his tone is his Marshalls but his are heavily modded. The amp was made sometime between mid-’69 and mid-’73, well before the JCM800 came out in 1981—it's from the post-Plexi, "metal panel" era, before Marshall added master volumes. Some are only decent, while others can sound like that.

Or just get the slash pups used. Also, on a recording, keep in mind that it's been through a lot of processing - EQ'ing, compression, other types of mastering adjustments. Shell out the extra cash if you have an epi standard its worth it. That was good but missed the mark in some areas. I love having a variety of pups to change up my tone when ever I feel like it.

My personal favorite pedal is called the Fullbore Metal. Now that I know where the issue is, I need to make sure it doesn't come back with other settings of that pot. But for his riff work as above. The lead 2 channel has a midrange boost and is awesome for Slash style solo work. I put a Greenback in the combo internal and that sounds amazeballs.

It's mainly for metal core, but I turned the volume way down and the gain way down, and it sounds pretty decent.

From here things differ depending on your speaker set up. Either can sound like this song with a wah and some overdrive from an amp or pedal.

This is a forum where guitarists, from novice to experienced, can explore the world of guitar through a variety of media and discussion. DSL40. In all honesty the guys they had in between were way better for the most part, but people really like the look... despite the fact that he's not that good. Anderton's did a great video about how to sound like Slash on a budget. Actually the guy who is responsible for modding it sells an amp. And I applaud your choice. The VS265 is never adjusted appreciably from its rehearsal/performance settings shown. I’m the guy that posted info and pics on the cap mod to help relieve the fizzy brightness of the 40c. Press question mark to learn the rest of the keyboard shortcuts, Jazz/Fusion | too many guitars/too many amps, Xaviere | Fender | Mesa | Chapman | PRS | Gibson. One set of my slash pups is still new in box. However I recently bought an epiphone and i cant quite replicate that sweet sweet slash tone on it because of the cheap pickups.

I'm pretty sure that, during the recording of AFD, he had sold his gear and recorded it all on an LP knockoff, however he did rent a Marshall stack that he tried to keep by claiming it was stolen. On a 2x12 about half inch from the grill and the internal speaker right up on the grill. What amp are you using? http://www.sweetwater.com/store/detail/APH2sBK?adpos=1t1&creative=105744828601&device=c&matchtype=b&network=g&gclid=CjwKEAjwlfO3BRDR4Pj_u-iO2U0SJAD88y1Sj7NoWqldADobauB5-yeDp0R9r9vHfRmLvmjTu_NqoRoCsqXw_wcB, http://caswellamps.studioelectronics.com/products.html, https://www.youtube.com/watch?v=Z9aB9qreSqQ. And DON'T YOU DARE PLAY THIS SONG IN A GUITAR SHOP.

Just a Les Paul into a cranked Marshall. Get a tube marshall. A look at the gear and dials used to produce the optimal Slash amp settings and tone. By using our Services or clicking I agree, you agree to our use of cookies.

http://www.slashsworld.com/equipment/amps/the-appetite-amp-story/sweet-marshall-o%E2%80%99-mine-part-2-the-breakthrough-case-closed/, The pickups were likely PAF clones, but I don't think he actually used a real LP. You can’t think about the electric guitar without thinking about Slash. Slash's signature pick ups theyre actually amazing. Eric Valentine was boosting midrange and 10k on the Slash records, outside of the presence frequency of the amp. With rich functionality including the ability to move between two sounds within each gain channel, players can experiment and release their personality through sound. The DSL40 TM has been designed with a 12” G-12 v-type speaker for those who need exceptional tone and flexibility. To my knowledge Slash does not use a parked wah on the intro to Sweet Child O' Mine. I wanted to check the bias on my DSL40C and I found it was set at 30mA the one side was running a little bit hotter at about 32mA.

Zoom in to see the dial positions (in red characters) and notes: And a shot of the DSL40C post tube swap: You were the only One from all that post anything in here that actually Said something. Just gone leave his here http://imgur.com/WXmdeSS, check out this video interview with his guitar tech https://www.youtube.com/watch?v=Z9aB9qreSqQ, slashes sound is a pretty stock les paul into a marshall tube amp. Many have tried. The treble is much more important for clarity. Marshall DSL40C Slash Tone? Also Slash has signature pickups from SD and they're relatively cheap. A guide of presets and amp settings that are best for Marshall or Fender amplifiers, with EQ for rock, blues, grunge and a variety of other tones & styles. On your amp, try dialing back the gain and increasing the volume.

Treble at about 10 o'clock (4), the mids at 2 o'clock (7), and the bass at 10 o'clock (4). The secret to Slash's tone on Appetite for Destruction was a Marshall JCM800 that he rented. Slash is really good and has made really good stuff recently. Your technique is a big part of what you sound like. Everyone else wasn't that good. Thank you very much!!! Armed with a Marshall and his trusty top hat, Slash has been rocking the stage since the 80’s. Your fastest way to get this tone is to get a wah pedal, turn it on and find the sweet spot and leave it there for the intro. That said, you'll have a very tough time getting that exact tone. The Marshall DSL 20 is a very solid amplifier as well. This site uses cookies to improve your experience. During Slash’s two-decade break from the band, he enjoyed success with Myles Kennedy and The Conspirators, and Velvet Revolver. Slash used a mythological amp called #39. You need to understand what you are hearing is a typical old recording probably done to tape.It's also been processed by a sound designer with lots of old analog equipment.No one can reproduce that sound live in your bedroom. After a while I grew tired of fighting it and moved it along and got a Mesa Lonestar Special. If using a 2x12 set the Presence to 8 o'clock (2), if using the stock internal speaker have the presence at (1) 7 o'clock.

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