P. 23–24: Retirement home guys show up. Armed with a scene-by-scene breakdown, I can do the following: You can do all that without creating a scene-by-scene breakdown, but the breakdown facilitates, even expedites the story analysis process. P. 60–63: Brought to Muntz’s place, the mood shifts quickly as Carl recognizes Muntz and Muntz acknowledges a fan. Do not get too specific, as you need enough information to write the paper. P.73–74: Back at Muntz’s lair, Muntz is livid that Carl and the others escaped. He’s missing merit badge: “Assisting the elderly” badge. Here is my take on this exercise from a previous series of posts — How To Read A Screenplay: After a first pass, it’s time to crack open the script for a deeper analysis and you can do that by creating a scene-by-scene breakdown. Whether you are analyzing a movie or a screenplay, breaking it down to the granular level of its scenes can reveal much about its story structure… and make you a better screenwriter.
P. 54–57: That night, the four prepare to sleep in the rain.
Write an introductory paragraph stating your hypothesis as well as the relationship of this scene to the rest of the film. P. 88–91: Carl, Dug, and Kevin are stopped by Muntz, who locks Dug out of the room with he and Carl. She hears her babies’ cry and try to respond, but can’t. But then sees that she filled in the book with photos and memorabilia from her marriage with Carl.
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Admittedly this is subjective and there is no right or wrong, the point is simply to break down the script into a series of parts which you then can use dig into the script’s structure and themes. “Quite a sight, eh, Ellie,” looking skyward. Carl attempts to end the conversation, “She’s gone off now” re Kevin. The play premiered Off-Broadway in May 2000 and transferred to Broadway in October 2000. Exposition: Have about 3 days before the helium wears out (ticking clock).
4 0 obj P. 48–51: The dogs have picked up Kevin’s scent, Russell (“chocolate”) and Carl (“prunes”). P. 66–70: Muntz insists that he needs to bring back “this creature” to clear his name — and Carl realizes that he’s talking about Kevin. “It might sound boring, but I think it’s the boring stuff I remember the most.”. Knock on door. Carl has to choose — and chooses to save the house. The scenes are pegged to what pages they occurred on in the script. P. 4–7: Carl imagining himself as Muntz, then hears a voice: “Adventure is out there!” From a rickety, abandoned house. Carl tries to lift the house, but it won’t raise up. Russell appears with the balloon house. BREAKDOWN PAGE NO. Proof was developed at George Street Playhouse in New Brunswick, New Jersey, during the 1999 Next Stage Series of new plays. Monday: Scene-By-Scene Breakdown Tuesday: Major Plot Points Wednesday: Characters Thursday: Themes Friday: Takeaways. P. 24–25: Airborne travel montage ending with Carl kissing a photo of Ellie: “We’re on our way, Ellie.” Heading south to South America. It is precisely what it sounds like: A list of all the scenes in the script accompanied by a brief description of the events that transpire. I am looking not just for individual scenes per se, but a scene or set of scenes that comprise one event or a continuous piece of action. Carl deposits Russell, still tied to a chair, in the house. BREAKDOWN SHEET. 1. Here is a scene-by-scene breakdown of the movie Up, one of my all-time favorite Pixar stories. Writing a scene analysis requires a thorough understanding of not only the scene you choose to dissect but also the overall film or play. If someone has not seen or read what you are talking about, he will find it difficult to understand your point of view. DESCRIPTION: Opening shot of people stood holding up signs with words on (horrible words that they’ve been called before.) SCENE NAME: Opening shot. Ambulance. %��������� Just when Muntz is about to slice Carl with his sword, Dug slides onto a control that sends the blimp tumbling sideways, knocking Muntz off his feet. Copyright 2020 Leaf Group Ltd. / Leaf Group Education, How to Write My Division or Analysis Essay.
P. 23: Getting his suitcase down to pack for the move to the retirement home, Carl finds Ellie’s “My Adventure Book.” He hits the “Stuff I’m Going to Do” page, sees the photo on the mantel of young Ellie, then her painting of her clubhouse atop Paradise Falls, considers the brochure for the retirement home, and staring at the painting of PF, Carl crosses his heart — he’s made a decision. The more you dig, the deeper your understanding. Then balloons. Each one should bring to light a different point to prove your theory. Carl grabs hose to stop house from falling off edge of blimp while Muntz blasts his way into the house. [“Only I just don’t know how I’m going to get to PF.”] Carl sees his balloon. Here is a scene-by-scene breakdown of the movie Up, one of my all-time favorite Pixar stories. “Do you believe this, Ellie?” Hearing that, Russell has a ‘conversation’ with Ellie, stating that Ellie said, “To let me.” Carl: “No. Then into the clouds where we see Carl’s house, which has landed in Ellie’s dream spot atop Paradise Falls. P. 64–65: Muntz shows off some of his hunting trophies. Proof study guide contains a biography of David Auburn, quiz questions, major themes, characters, and a full summary and analysis. (E) Now old, Carl plans to surprise Ellie with tickets to go to PF, but Ellie dies. Muntz and Carl fight. Pointing to Dug and Kevin, he says, “I don’t want you here and I don’t want you here,” then at Russell, “And I’m stuck with you.” [Note: Carl fighting the inertia toward bonding with his new ‘family’]. P. 81–84: Alpha informs Muntz that Russell is on board. Carl wakes up — alone.
DATE: DIRECTOR: Hannah Walker. Russell feels like Carl gave away Kevin, but Carl is angry — he didn’t ask for any of this — and tells off Dug.
P. 59–60: Then Alpha and the other two tracking dogs show up.
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