Mini pedals are easy to love, thanks to their small form factor and affordability – a win-win. I wouldn't call it a tone suck - more like preamp coloration. In fact, some flangers with a vintage voicing are just about versatile enough to cover your chorus needs as well. Some people (me) don't like it. Re: Microphone recommendation: to cut down pen on scree... Re: Multi headphone Out solution for School MacBooks. It’s worth stating again that there really isn’t another pedal out there like this. Another reason for their success is the fact that Strymon pedals, such as the one on review here, the Deco tape simulator, both look and feel completely analogue. If you’re working in a DAW environment, the Deco is at a disadvantage in that your average tape emulation, modulation and delay plug-ins will offer more detailed tweaking over a greater range, but the pedal nevertheless works well as a simple way to add warmth or distortion to drums and synths, flanging to keys or thickening chorus to strummed acoustic guitar. Featuring tape saturation for an analog tape effect and doubletracker for achieving delay, chorus and flanging effects, the Deco is a compact multi-effect pedal marked by Strymon… Press and hold to engage the instant Auto-Flange feature.
The MD-500 has a few more tricks up its sleeve too, with various rhythmic modulation options including some of the presets from oddball units like the Boss Slicer, so you've got a lot of additional inspiring sounds to choose from besides the flanger. Although there's a lot of controls and modes to get to grips with, the jumping-off point for the F-13 is a solid flange sound that's warm, and less 'jet-like' and aggressive at first blush than something like the Boss BF-3. Turning up the wobble control introduces some movement, from a gentle sweep to a lopsided swirl — but, again, no airplane-taking-off woosh or fast warbling here. There are no menus and displays, just knobs and switches that behave like knobs and switches, even if they in fact conceal some pretty deep functionality. Our journey begins with the early recording studios of the ’50s and ’60s. In practice, it sounds best when trying to emulate more modern tones, and this also plays to the strengths of its many options – stereo spread, step rate and waveform among them. (You must log in or sign up to reply here. I'm sorry, I don't understand what you mean by outside looking in. At slap and echo lag times, turning the blend control past 12 o’clock to favour the second deck means that the repeat becomes louder than the original note. The Deco can feel a little tricky to set and adjust compared to a conventional flange, chorus or … The Zero Point manual tape flanger is a compact stompbox with only two features: a latching bypass footswitch and a second, momentary footswitch which slows down the second virtual tape deck to generate the flanging effect, letting you do with your foot what you would do with your thumb on an actual reel-to-reel machine. For tape flange, an intriguing new pedal from Catalinbread is due out any day now. Given the amount of digital processing going on, the pedal understandably won’t run on batteries, but a good-quality 9V DC mains adaptor is included in the box. Strymon Deco advice (slapback, chorus, saturation) and chain placement by Francesco Chieffo » Thu Oct 15, 2020 12:56 pm Hi everyone, I play mostly jazz or '60s soul / funk and since I use my Tc electronic Flashback 2 delay mainly in Tape mode with up to two repeats, I was wondering if the Strymon Deco could replace it. Engages and bypasses Deco’s Doubletracker effect. Thank you for signing up to Guitar World. The Deco offers stereo outputs and caters for an expression pedal.As if all this wasn’t enough, pressing down both of the footswitches together opens up a range of secondary parameters that can be set using the Deco’s knobs. Should you have the pedalboard real estate and a few extra dollars in your pocket, however, you might do well to look at the full-size Vortex, or even Boss BF-3. The Deco’s line-level studio mode works very well, provided you also remember to reset the concealed high and low trim controls to offer full bandwidth.
I put it outside the chain looking in... because all Strymon pedals seem to change the fundamental. Thanks to its toneprint technology, the Vortex is the more versatile, while for more straightforward, classic flange sounds, the E Lady is nothing if not solid. ). I can't get past their "dry" tone. All rights reserved. Finally, it also exceeds the ~25ms flanging threshold, offering chorus and even slapback tape delay, making the Deco highly flexible for other creative effects. Modulation effects such as chorus, flangers, ... Deco Tape Saturation & Doubletracker is a unique effects pedal that allows for a wide variety of tonal possibilities. There are high- and low-frequency trim controls, a boost/cut control for the double-tracker side (ranging from -3 to +3 dB) and a sweep speed control for the auto-flange. It's not the sort of thing you'll want to use all the time, but it can be the difference between a head-turning guitar part and something a lot more pedestrian. Although it's a large footprint for a pedal and a hefty price tag, this level of flexibility carries over to its other 11 modes, so if you want a swiss-army knife, studio-grade modulation station, then look no further. BA1 1UA. Some people dig it.
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