On some tracks, you get a solid verse from veterans like Ka or Action Bronson, on others you get a shaky verse from third stringers like Freeway. It recalls Ghostface Killah’s Ironman or Raekwon’s Only Built 4 Cuban Linx as a project focused more on group triumph than the lead rapper. If we don’t pimp and pump works as these on our corner then we’re the trick. On 2012’s Reloaded, Roc Marciano was part-hustler, part-crime boss, a new-age street poet made in Kool G Rap’s image. After stalled apprenticeships with Pete Rock and Busta Rhymes, Roc Marciano arrived with 2010’s self-produced Marcberg, a grayscale triumph which blended elements of … That’s fine.
Also, a martial arts disciple and young Sifu of Bian Xing Shaolin Kung Fu these sensibilities and insights expand his depth of warrior curriculum and creative offerings. Marciano raps alongside the aforementioned emcees while bringing Blu, Quelle Chris (“Cut the Check”), Guilty Simpson (“Squeeze”) and others into the mix. His latest release, Marci Beaucoup, finds Marciano stepping out of the spotlight and focusing on his production chops. Initial perceptions when listening to “Marci Beaucoup” are jarring.
All as Roc Marciano exploits and violates this bitch with 2 LPs of vicious lust practice and victoriously layered preparation, The Pimpire Strikes Back & Marci Beaucoup. It was always going to be tough following up an opus like “Reloaded”, and perhaps I expected more of the same.
Fucking bitches?! The lack of Roc on the mic leaves the task of spitting largely to his features, which are pretty hit or miss. All in all, Marci Beaucoup serves more as an opportunity for Roc to flaunt his producing chops than as a proper album. The albums Roc Marci has released since Marcberg have tweaked the formula: 2012’s Reloaded brought in an expanded cast of producers to cinematic effect; 2013’s Marci Beaucoup … Nobody really attacks the bait they’re given, as if they are weary of upstaging Roc’s snoozy style. Skip to main content. A Marci needed to thank it with the aural cinema of frenchly worded slaps. Find album reviews, stream songs, credits and award information for Marci Beaucoup - Roc Marciano on AllMusic - 2013 Patreon exclusive poll https://www.patreon.com/posts/43290089 to choose Kosha Dillz, Dej Loaf or Ty Dolla Sign for next week's update! When he is busting out those multi-assonant bars with internal rhyme schemes coming out of their ears, he’s one of the best out there, point blank period. Even his beats are designed to shade, rather than color, his songs. ALBUM REVIEW: Marci Beaucoup by Roc Marciano. Roc’s bars rewind philosophizer lines as “my life stereotype/Why ice took rap through heights/That entice a thick woman in tights…” and contemplates his dominance ingeniously (“That shit’ll open up my pimp chakras/Push the plush after with the character/They thought I had to have the flux capacitor/I’m back from the future, my aura is future…).
Marci Beaucoup: MARCIANO, ROC: Amazon.ca: Music. Production certainly requires a few listens to really click in to place, and having listened to heaps of collaborative projects in 2013 alone, verses from the guests here are largely underwhelming. It may be the simplicity of Syl’s “Any way…” on “Ruff Town,” the steady heartbeat break and twanged guitar riff of “Higher Learning” or the lovely bounce of soul drenched pattern on “Doesn’t Last.” Yet Roc’s statement of musicality is his free beat work on Marci Beaucoup that samples with no limitation. The production on both projects was handled by Roc too, and although it was often strong on its own, it served a purpose more than anything. Over the course of his first two albums, he's established himself as one of the foremost purveyors of classicist New York slick-talk, digging into a very specific sound and exploring just how far down he can go. In the end, Marci Beaucoup is a nice victory lap that falls just short of Reloaded. (Spoilers -- I saved the best for last!)
Unfortunately, too many appearances from third-stringers like Knowledge the Pirate and Maffew Ragazino just made me wish Marciano was rapping instead, and a few more solo cuts would've helped alleviate the frequent soggy stretches. While the beats are good, the looping soul samples grow tedious after a while. Jump to Comments.
The Pimpire Strikes Back and Marci Beaucoup are specialty records in the early solo career of a great Hip Hop musician, Roc Marciano. Lyrically, Roc Marciano is a stylist of abnormal proportions and the premiere deliverer of rhyming today.
With “Marci Beaucoup”, Roc has finally opened the door (which I imagine was being heavily knocked on all year) to fellow street spitters many of his fans will already be aware of. As a proper third album, Marci Beaucoup doesn't stack up to its precursors, but as an advertisement for Marciano's services as a beatsmith, it's much more successful. Like a bitch, the beauty of the product is allowed to overshadow the work. Surprisingly, he successfully journeyed away from most of the work that he has put out over the last few years with The Pimpire Strikes Back. Review: 21 Savage & Metro Boomin's Villainy Music Comes Bigger & Better With 'Savage Mode II', Review: Westside Gunn's Shady Records Debut 'Who Made the Sunshine' Has Inklings Of A Creative Genius, Review: YoungBoy Never Broke Again's ‘Top' Is His Most True-To-Self Album Yet. Like that album, the beats on Marci Beaucoup are handled entirely by Marciano, and they alternate between minimalist RZA-esque menace and monochromatic soul. His ability to lyrically create small images that come together to portray life as a criminal gained him critical acclaim on his 2012 album Reloaded. Whereas 2012's Reloaded was a comparatively lighter sonic affair than its predecessor, the bleaker Marcberg, Marci Beaucoup hews closer to the grimier aesthetic of Marciano's debut, where the production felt more off-the-cuff and rougher around the edges. Alchemist Details 'Yacht Rock 2' with Westside Gunn, Roc Marciano, Action Bronson, Action Bronson Plots "The White Bronco Tour". Marciano’s new album, Marci Beaucoup, picks up where “Pimpire” left off as a collection of raw rhymes that reference the drug game and street survival.
Both works return Roc to the mic after the supreme sample work and stylist opus of 2012’s Reloaded. The production is a bit shaky, though.
Conway the Machine, 03 Greedo x Ron-Ron the Producer, Paris, Northern State, and more! I have only recently finished listening to marciano's discography and right now I think his newest project, Marci Beaucoup is the best. It is also apparent when you look at the production credits and realize that the only producer on the album is Roc himself. All the while Ka’s gift of prose in old portraits with their mentality captions reigns (“Kept format in mind when all that shine was frivolous/Crime indigenous design rhymes of madness/Heavy tolls, bury those we find ain’t diggin’ us.” With such variety, the peak of “Confucius” is clear that the dynamic journey of experimentation Roc engages in is consistently powerful. Like a bitch, the work is teased to you with much conceit to make you cop. “Marci Beaucoup” is certainly a different animal, seeing Roc take more risks musically which is actually an off-putting listen if only heard once. Pause. #Halloween2020 #SegaGenesis #GenesisDoes @StarmanNJ @SirKrunch @Pixel66 @ACR_Collection, The thick, delicious grooves are arranged by "Death Certificate" architects @DJPooh and the Boogiemen as well as Del and Cube, keeping the funk in steady supply over the course of "Brother George"'s fourteen tracks. The King of YouTube continues to dominate the charts with murderous raps and unfiltered streams of consciousness. Your email address will not be published. His standard fare was put aside, and he told cohesive stories of New York’s seedy criminal underbelly in his distinctive raspy purr, and the album flowed really well from track to track. Any album released in December is susceptible to being overlooked during a month where many hip hop listeners tend to look back on the year’s best albums, almost as if December somehow falls in to 2014. The superstar rap duo brings their fans into a fun, revamped world with help from Morgan Freeman and Drake (at SZA's expense). “Love Means” is the closest thing to infectious, something that was evident on the majority of “Reloaded” – the pounding ‘hey baby’ on “Flash Gordon” and the morbid atmosphere on “76” – listening back to “Reloaded” a year on, it could well emerge as a modern day classic and dare I say it, Roc’s finest moment.
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