Robert, Great review by someone who obviously knows something about dialing in an amp and really using their ears to listen. You can experiment with your sound by switching from ultra clean to heavy distortion and everything in between. With a 40-watt amp, the louder it can be run, the more options you find when using the amp controls. you must have typers cramp LOL. Sweetwater has been offering the creamback upgrade for a while, I've played it and it's a huge improvement. The key words here are all about getting the chance to open up and turn up this DSL40C. Ok, here's a video with the modified DSL40C. Next Last. I like the DSL40C with the Weber off. I’d like the switch to be as simple as pushing the button without the need to alter volume settings. This is an irreversible process.
I just had to say it. Don’t get me wrong. And here is the same settings, but running my Boss CS-3 compressor ONLY for a slight treble boost with no signal increase: The std speaker is the 70/80, which is lacking in the tonal enjoyment. Robert, by any chance to you work in music retail? The versatile DSL TM series delivers legendary all valve Marshall tone suitable for all playing environments.
The classic gain channel has no apparent problem, but when I switch over to ultra gain, nothing comes out when I play. Do I detect a bit more of the highs with the Weber on? Music with lots of quiet-loud dynamics (so I need a nice clean sound) and lots of loud, crashing guitars (so I need a great drive sound).
They are made to be played at volume in a jam or gig environment. For a better experience, please enable JavaScript in your browser before proceeding. It's what I currently have. Im Classic-Kanal sind das Clean und Crunch, beim Ultra Channel stehen OD1 und OD 2 zur Auswahl, summa summarum also vier unterschiedliche Grundsounds, die nach Zerrgraden abgestuft sind. The range has two footswitchable gain channels, ultra gain and classic gain. There. From shimmering cleans to punchy distorted overdrives, the DSL allows you to easily flex the sound to your playing styles. With an emulated output and power reduction features you can play the DSL range in a variety of environments. Feb 17, 2018 #1 Hi guys .I'm I'm the market for a new amp. 1 of 2 Go to page. Marshall DSL40c is it worth upgrading. Good observations. DSL40C - Volume disparity between Clean and Crunch. Channel 1: Clean Channel. Thread starter bsm9981; Start date Feb 17, 2018; 1; 2; Next. Yes, I have swapped tubes to the more "gainy" Genelex Gold Lion T12AX7 and KT88's. I think that the reason they sound better is that at volume, the controls reveal more of what the amp has to offer.
Switch "up" is attenuator "on" and switch "down" is attenuator "off.". This site uses cookies to improve your experience. Personally I leave the Classic Gain channel set to Clean and use a Distortion pedal (currently using a MXR Super Badass 78 Distortion) for more high gain on the Clean channel. The Marshall DSL40C Dual Super Lead Guitar Combo Amplifier is a mid-sized amp that is designed to be your go-to workhorse amp and can handle virtually any gig or studio work! Robert, do thise types of attenuation devices cause any harm to tubes or the amps' circuits that you know of? I thought the reverb was weak, etc. Does anyone know a way to combat the huge jump in volume when switching from Clean to Crunch on the Classic Gain channel? I learned that with my Dark Terror. I am also running a custom made 16 ohm WGS 50 Watt Reaper with a 55Hz cone. bsm9981 Senior Member. You will see me turning the attenuator on and off in this video. People always rave about how Fender is the best clean channel amplifier out there. The clean channel is clean, warm, and also has a nice top end (think RHCP). The versatile DSLTM series delivers legendary all valve Marshall tone suitable for all playing environments.
Does anyone know a way to combat the huge jump in volume when switching from Clean to Crunch on the Classic Gain channel? But I would prefer that the sound-modes would be changeable by Foot-Switch. From shimmering cleans to punchy distorted overdrives, the DSL allows you to easily flex the sound to your playing styles. DSL offers a diverse range of features across the entire series including power reduction, studio quality reverb and two footswitchable channels. I've read discussions recently about the subject and a few folks are not completely sold on attenuation equipment not doing some harm if used continuously. The e.q. 100w ?? I did read the first line....and then promptly forgot?! DSL40C - Volume disparity between Clean and Crunch 2. votes . This is possibly the most “pedal-friendly” Marshall combo I’ve ever come across. The DSL series has one master volume for each channel means that you can create explosive solo moments. All selected merge tags will be merged into when you save your changes. I've rolled tubes a few times, but the speaker needs immediate attention. knobs show a wider range of coloring and tone shapeing and speaker(s) start to give up the actual qualities they were designed for. DSL offers a diverse range of features across the entire series including power reduction, studio quality reverb and two footswitchable channels. Since Clean/Crunch is not switchable via foot switch the distortion pedal works best for me (or switching to the Ultra Gain channel). Anyways, I tried the Marshall DSL40C, an amp I had tried unsuccessfully many times before. 40-watts are provided by 2 x EL34 power tubes and run through a 12 inch Celestion Seventy 80 speaker for an incredible tone with great clarity and power. ... Nirvana, Soundgarden, AIC, Foo Fighters, Metallica, Zepplin, QOTSA etc. Joined May 20, 2011 Messages 782 Reaction score 331. WoW! There's a lot of words there, but a great review Rob, super thorough. Combined this means that no matter your environment, you can really experiment and release your alter ego. With a larger room, all of a sudden you see many more options. I’d like the switch to be as simple as pushing the button without the need to alter volume settings. It seems to a more natural amp sound.
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