FREDO: Me? FREDO: Yeah... some other time. DOCTOR *Spanish*: You must not exert yourself; I will write out a prescription and come back tomorrow.
FREDO: ...Who? [EXT.
VIEW - NIGHT] VIEW - NIGHT] [EXT. Ole Johnny knows all the places. SENATOR GEARY: We believe in non-intervention... but the agreement stipulates that our forces may be withdrawn... but as you've seen, we have not withdrawn them.
I tol' you... can you believe it? And she is closer to Michael than anyone on the planet. When I wake up, if it's still there, I'll know I have a partner. MICHAEL: It's all right. This was a great man; a man with vision and guts; and there isn't even a plaque or a signpost or a statue of him in that town. VIEW - NIGHT] MICHAEL *Sicilian*: How sick do you think the old man is? Senator Ream... Mr. Questadt from California, he's a lawyer with the Price-Control Administration. If it's gone, then I'll know I don't. How did the doctor find you?
SENATOR GEARY: He lost a quarter million dollars at the casino. Anybody? Okay.
FREDO: Does everyone know everyone, or nobody knows nobody. NO, no, I don't know anything. Lots of activity in Havana! We did our first work together, worked our way out of the street. THE BAR - DAY] *in Sicilian* Sure... how much? CORNGOLD: And my guess is that President Eisenhower won't pull out while we have over three billion invested over here. An' ole Frankie come peek into our room, we'd jump up, and he'd always pretend like he was really scared. [An orchestra plays for the guests, as an army of waiters serve champagne and hors d'oeuvres.
You ever hear of "Superman?" And Fred Corngold of U T&T. [VIEW ON THE CRAP TABLES] MICHAEL: I never looked down on you, Fredo. Either way, given that Michael later assigns Rocco the blatantly obvious suicide mission of murdering Hyman Roth in public, it's a fair bet that Michael never again trusted Rocco and wasn't overly concerned with his impending demise. [Realizes that this is the man he is to kill.] [INT. *pause* Didn't you know that? SENATOR GEARY: He gave them a bad check. [A large room with a succession of platforms arranged step-like around a circular area which becomes a stage. Where are you going? One such immigrant was Vito Andolini, who, in 1901, … FREDO: What do you want me to do?
MICHAEL: Six million dollars in cash is a high price for a piece of a country in the middle of a revolution.
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In a moment, it pulls up to him, and he gets into the back seat. All but their radio station. SENATOR GEARY: Good to see you, Mike; I'm glad we can spend this time together. ROTH: I want my own doctor; fly him in from Miami. [Fredo realizes what he means; looks immediately to Bussetta, who had been sitting near the door and the musicians.
[Fredo puts his arm around his brother; he is high with the first attention Mike has ever given him, as though finally he is being taken seriously; as though his brother needs him.] He stops, knocks on the door of Roth's suite. So when he turned up dead, I let it go, and said to myself: this is the business we've chosen. Vito running, making it to America at age 9 and going through cold, unpleasant immigration …
[Michael glances at his watch; Fredo concentrates on this.] CORNGOLD: Our information is that Castro is dead. In the aftermath of the attempt on his life Michael trusts no one but Tom. STUTZ, the second patrolman, is just stepping out of his car; Pentangeli's bodyguard, seeing the commotion, leaps out. [The PRESIDENT, his WIFE and six oldest CHILDREN great formally the many beautifully and affluently dressed guests. FREDO: Wait'll you see!
ROTH *taken a bit off-balance*: Why...the Rosato Brothers. MICHAEL: You know otherwise, Freddie? MICHAEL: I know that; but who gave the go ahead. Black Couple Not Allowed At Sushi Restaurant??? There are maybe a few hundred die-hards in the Sierra Muestra; but government troops are going to clean them out any day. A group of men lift Hyman Roth's frail body onto a stretcher.] MICHAEL I've read it; I'm pleased that the government is doing so well. The orderlies quickly carry the old man inside. And Neri and Tom are both too close to Michael for Johnny Ola/Hyman Roth to risk the approach.
[MED. What's not so obvious is who opened the drapes. [He glances up at Bussetta, who doesn't say a word. The music is percussive and wild.]
FREDO: Mike said let him gamble. BUSSETTA *Sicilian*: He'll live longer than me. Unlike a relative he would have had no realistic reason for being there. FREDO: What is it?
Pentangeli and Rosato step up to the bar; the bartender momentarily stops polishing glasses to pour a couple of drinks.] And even if we think he was lying to Michael when he claimed ignorance of plans for Michael's murder, when he spoke angrily on the phone to Johnny Ola it's obvious that Fredo. Mikey, what's up? PRESIDENTIAL PALACE - NIGHT] [Bussetta bends over Ola's body, tying the wrists and knees with electrical extensions. SENATOR GEARY: Oh my god. THE SUITE - NIGHT]
MICHAEL: This doubles my investment.
[He puts his arm around Pentangeli, and they walk into the bar.] Taking Pentangeli into custody... [By now the group has made its way into the casino. Goddamn city of beggars and pimps and whores. FREDO: I never met them. [NEW VIEW] HOTEL MAN: He's going to write a prescription. The doctor examines him, and then gives instructions to the orderly who carries him out, presumably to the ambulance. OLA: They asked him to sign paper to take down the markers; but he got mad; told them to wait until he was finished. [INT. Someone like say Rocco, who allowed them on the grounds in the first place. PRESIDENTIAL PALACE - VIEW ON THE MAIN FOYER - NIGHT] [Michael and Fredo in a brother's embrace; they kiss each other.
STREETS OF HAVANA - MED. *then a thought strikes him* Poor Frankie Five-Angels. Also Bussetta and Ola remain.] MICHAEL: We're making an investment in Havana. [Michael is alone in his bedroom; it seems as though he hasn't slept very much, but sits by his window, looking out at the city. [Now an elite officer, checks the identification of the various cars carrying dignitaries, as they are driven up to the Palace. THE SUITE - NIGHT] [Johnny Ola approaches Michael.] [He hangs up thoughtfully.] RADIO *Spanish*: "This is Rebel Radio: Rebel troops of Column Four 'Jose Marti' took the town of Baire yesterday at 8:30 p.m. MICHAEL: I know it wasn't me...so that leaves you. THE GODFATHER PART 2 opens with: A brief shot of Michael as a guest kisses him on the hand. [The street is lit with tons of neon signs; it is alive with people; some roving bands of musicians. FREDO: *to Geary* What's eating him? Whether it was his inability to control his drunk bigoted lecherous wife, his failure to protect his father from the Sollozzo assassination attempt, or his allowing Moe Greene to strike him without retaliation it's clear that Fredo has always been weak and incompetent. American journalism, not propaganda. FREDO: That's what I'm here for. [EXT. [The first time ever away from Michael, moving toward us quickly. [INT. The Senator from Nevada is here with some people from Washington. [INT. PRESIDENTIAL PALACE - NIGHT] SENATOR REAM: *pushing away from the palm outstretched little hands of the boys* Goddamn beggers.
Kay Corleone is not in the business. He is troubled and tired.] [A moment elapses on the empty corridor, and then a roused Johnny Ola, opens the first door. It is solemn, as though it is a song of protest, a song of the revolution. FREDO: That's him; that's Superman! The Final Electoral Vote for 2012 - Obama: 332 - Romney: 206 As we head toward the 2016 presidential election, you've probably notic... What do you do when people say or believe things that are simply and demonstrably untrue? [Michael follows Ola toward the Baccarat table; a watchful Bussetta moves, a distance away, with them.] MICHAEL: Tonight we've been invited to a reception at the Presidential Palace; to bring in the New Year. The dirty bastard, he gave me a C-note. But just as Luca Brasi had virtually unquestionable loyalty to Michael's father, Al Neri has similar fidelity to Michael. [INT. We don't know exactly what Fredo did. Havana is prosperous.] He hits the floor and crawls over to throw himself on top of Kay until the shooting stops. I don't trust a doctor who can't speak English. I want to show them a good time in Havana. Michael is with them, but now we sense he is using this time, with all exhausted and drunk, to come to some important conclusions.] Fredo is still in his jacket, holding the satchel.] The seed for Vito’s desire for revenge. He is followed by Bussetta, who had waited in the corridor.] [INT. Michael’s power is established. Michael finishes off Roth and gets rid of a capo who was either horribly unlucky or already corrupted by Roth. Roth gestures to the hotel man, who also leaves. STAGEHAND: Phone for you. Still, even though Rocco is the only major character left who had the means and possible motive to let two assassins on the property and kill them before they could reveal anything, something still doesn't feel right. How about you? ROSATO: Shit, your friend the cop! Michael walks along the street, alone, past the Cubans on their way to work; past the American ladies who have gotten up early for their shopping spree.] He is gone.]
SENATOR GEARY: I'll take a Yolanda. MICHAEL'S SUITE - MED. What do you mean you, I thought... [EXT. QUESTADT: Why do we have to stand? [As Bussetta quietly pulls the limp body of Johnny Ola, his head bent at an impossible angle, and lays it at the foot of the couch.]
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